Titel
Voyageur endormi attaqué par une légion de corbeaux [Drawing]
Inscripties
At bottom right: "A Maurice Siville, ce témoignage d'amitié sincère et souvenir de son premier LIVRE. [Novem]bre 1888. JEAN DELVILLE"
Auteur(s)
Delville, Jean (Leuven, 1867 - Forest (Bruxelles), 1953) - (ISNI). Artiest
Andere titel
Slapende reiziger aangevallen door een legioen kraaien
Andere titel
Sleeping traveler attacked by a legion of crows
Type document
Drawing
Bibliografisch adres
1888
Land
Belgium
Collatie
1 drawing : charcoal on paper ; 840 x 1060 mm
Herkomst
Maurice Siville, from 1888; to Armand Siville, before 1923; acquired at the sale of the latter's library ("Bibliothèque de M. A. Siville") at Galerie J. et A. Le Roy Frères, Brussels, 23/01/1923
Materiaal
paper
Annotatie
This drawing is dedicated to the Belgian writer Maurice Siville and was made on the occasion of his first book, Contes pour l’aimée (1888). Delville likely drew inspiration from Gustave Doré’s wood engraving Achan lapidé (Achan Stoned), published in 1866 in La Sainte Bible selon la Vulgate, which illustrates Joshua 7:19–26 (identified by Adrien Porée, Saint-Gilles, written correspondence, 28/11/2025). The reclining pose of Achan, with arms outstretched and beset by a flock of birds, shows clear visual similarities to Delville’s composition. However, the absence of stones in Delville’s work suggests that he did not intend to represent the biblical narrative literally. The swarm of crows attacking the half-nude man in Delville’s drawing recalls instead the Stymphalian birds, the man-eating creatures from Greek mythology that preyed upon anyone who came to hunt them. When the work entered the collection in 1923, it was described as "Voyageur endormi attaqué par une légion de corbeaux". There is no immediate connection with one of the stories in Contes pour l’aimée, and it should be understood that Delville conceived this dream-like drawing in a Symbolist sense. Another of Delville’s drawings, La Mort, similarly depicts a man being killed by a large bird (auctioned at Vanderkindere, Brussels, 13 December 2016, lot 165).
Tentoonstelling (annotatie)
2017, March-September, Japan, Utsunomiya Museum of Art, Hyogo Prefectural Museum of Art, The Bunkamura Museum of Art, "Fantastic Art in Belgium"
Exemplaar (annotatie)
S.III 41961
Digitale versie
https://uurl.kbr.be/1429477
Onderwerp
Periode
Plaats/regio
Vorm/genre
Iconclass
94L326 (6) the Stymphalian birds are shot by Hercules, or driven away with a bronze rattle
94A37 The Stymphalian birds attack the Argo near the island of Mars: the Argonauts manage to frighten them off by striking their shields
71E5257 A huge pile of stones is put over Achan and his family, stoned to death because Achan had stolen from the spoils of Jericho
41D263 Walking-stick, staff, cane
41D91 Man (showing himself) undressed, quasi-nude
41A3221 Closed door
31BB1 Sleeping; unconsciousness - BB - out of doors
Index
ISBD
Bekijk de ISBD weergave
Voyageur endormi attaqué par une légion de corbeaux [Drawing]. - 1888. - 1 drawing : charcoal on paper ; 840 x 1060 mm. - This drawing is dedicated to the Belgian writer Maurice Siville and was made on the occasion of his first book, Contes pour l’aimée (1888). Delville likely drew inspiration from Gustave Doré’s wood engraving Achan lapidé (Achan Stoned), published in 1866 in La Sainte Bible selon la Vulgate, which illustrates Joshua 7:19–26 (identified by Adrien Porée, Saint-Gilles, written correspondence, 28/11/2025). The reclining pose of Achan, with arms outstretched and beset by a flock of birds, shows clear visual similarities to Delville’s composition. However, the absence of stones in Delville’s work suggests that he did not intend to represent the biblical narrative literally. The swarm of crows attacking the half-nude man in Delville’s drawing recalls instead the Stymphalian birds, the man-eating creatures from Greek mythology that preyed upon anyone who came to hunt them. When the work entered the collection in 1923, it was described as "Voyageur endormi attaqué par une légion de corbeaux". There is no immediate connection with one of the stories in Contes pour l’aimée, and it should be understood that Delville conceived this dream-like drawing in a Symbolist sense. Another of Delville’s drawings, La Mort, similarly depicts a man being killed by a large bird (auctioned at Vanderkindere, Brussels, 13 December 2016, lot 165). - S.III 41961.


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