Titel
Portraits of Eleanor of Austria, Queen Dowager of France, and Marie of Austria, Queen Dowager of Hungary and Bohemia, sisters of Emperor Charles V [Print] : in ovals
engraved by Frans Huys
Inscripties
Lettered on the oval frame around the left portrait: '.D. HELENORA, REGINA, CAROLI .V. CAES . SOROR, FRANCISCI .I. PRIDEM . GALOR . REGIS, VIDVA.' ; Lettered on the oval frame of the right portrait: 'MARIA DEI GRA[TIA] HVNGARIAE AC BOEMIAE REGINA . CAROLI .V. IMPERATORIS SOROR'. ; The initials F H [Frans Huys] at the bottom under eacht portrait.
Auteur(s)
Huys, Frans (1522-1562) - Flemish engraver and draughtsman. Graveur
Andere titel
Portreten van Eleonora van Oostenrijk en Maria van Hongarije
Type document
Print
Bibliografisch adres
[Antwerpen] : [Hieronymus Cock], [ca. 1555]
Uitgever
Cock, Hieronymus (1518-1570)
Land
Belgium
Collatie
1 print : engraving ; 198 x 364 mm
Materiaal
paper
Afmetingen (drager)
283 x 382 mm
Annotatie
The two portraits are engraved on a single plate and printed on a single sheet of paper. This is a rare impression that has never been cut. In the middle of the area with plate tone between the two portraits traces of binding are still visible.
Reeks
Portraits of European Rulers published by Hieronymus Cock (Riggs 268)
Behoort tot
Portraits of European Rulers published by Hieronymus Cock (Riggs 268)
Gegevensbron
Hieronymus Cock ; p. 316-317 no. 87
Hieronymus Cock, printmaker and publisher ; p. 378 no.268
Frans Huys / de Ramaix, Isabelle ; pp.29-30, nos. 16-17
Onderwerp(en)
Portraits
ISBD
Bekijk de ISBD weergave
Portraits of Eleanor of Austria, Queen Dowager of France, and Marie of Austria, Queen Dowager of Hungary and Bohemia, sisters of Emperor Charles V [Print] : in ovals / engraved by Frans Huys. - [Antwerpen] : [Hieronymus Cock], [ca. 1555]. - 1 print : engraving ; 198 x 364 mm. - (Portraits of European Rulers published by Hieronymus Cock (Riggs 268). - The two portraits are engraved on a single plate and printed on a single sheet of paper. This is a rare impression that has never been cut. In the middle of the area with plate tone between the two portraits traces of binding are still visible.


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